丹顿残党妄图干扰人类世界，马拉、卡米尤与罗贝斯将深海花音从眼魔世界带出，想利用她实现丹顿的野心。然而天空寺尊接到消息后火速赶来，激烈的战斗过后，花音独自逃脱，来到外界寻找哥哥深海诚。天灾发现花音是人造人，因此十分感兴趣，想要认花音当妹妹。两人纠缠之际，假面骑士圣刃，也就是神山飞羽真正好经过，仗义出手和天灾打了起来。随后众人发现看似柔弱的花音实力深不可测，连天灾都在她手上吃了亏。几经周折过后，罗贝斯、天灾、飞羽真还有尊四方势力狭路相逢，飞羽真与尊分别变身为假面骑士圣刃与假面骑士灵骑，两人携手作战，最终战胜了罗贝斯与天灾。尊向花音承诺，一定会帮她找到哥哥深海诚，花音便放心跟着谢贝尔走了。然而在回大天空寺的途中，马拉与卡米尤突然出现，再次劫走了花音。

Winner of the International Emmy Award for Best Telenovela, "Side by Side" focuses on two women of different origins and social classes. The brave Isabel, daughter of a former slave and in love with the capoeira player Zé Maria; and Laura, descendant from a wealthy family and destined to an undesired marriage to Edgar. In addition to an unshakable friendship, the two share the same purpose in life: the conquest of freedom in the conservative society of Rio de Janeiro of the early 20th century.

丹顿残党妄图干扰人类世界，马拉、卡米尤与罗贝斯将深海花音从眼魔世界带出，想利用她实现丹顿的野心。然而天空寺尊接到消息后火速赶来，激烈的战斗过后，花音独自逃脱，来到外界寻找哥哥深海诚。天灾发现花音是人造人，因此十分感兴趣，想要认花音当妹妹。两人纠缠之际，假面骑士圣刃，也就是神山飞羽真正好经过，仗义出手和天灾打了起来。随后众人发现看似柔弱的花音实力深不可测，连天灾都在她手上吃了亏。几经周折过后，罗贝斯、天灾、飞羽真还有尊四方势力狭路相逢，飞羽真与尊分别变身为假面骑士圣刃与假面骑士灵骑，两人携手作战，最终战胜了罗贝斯与天灾。尊向花音承诺，一定会帮她找到哥哥深海诚，花音便放心跟着谢贝尔走了。然而在回大天空寺的途中，马拉与卡米尤突然出现，再次劫走了花音。

In this early work, Jonas translates her performance strategies to video, applying the inherent properties of the medium to her investigations of the self and the body. Jonas performs in a direct, one-on-one confrontation with the viewer, using the immediacy and intimacy of video as conceptual constructs. Exploring video as both a mirror and a masking device, and using her body as an art object, she undertakes an examination of self and identity, subjectivity and objectivity. Creating a series of inversions, she splits her image, splits the video screen, and splits her identification within the video space, playing with the spatial ambiguity of non-reversed images (video) and reversed images (mirrors). Though Jonas’ approach is formalist and reductive, her performance reveals an ironic theatricality. Illustrating the phenomenology of video as a mirror, Left Side Right Side is a classic of early performance-based, conceptual video. (Letterboxd)

In this early work, Jonas translates her performance strategies to video, applying the inherent properties of the medium to her investigations of the self and the body. Jonas performs in a direct, one-on-one confrontation with the viewer, using the immediacy and intimacy of video as conceptual constructs. Exploring video as both a mirror and a masking device, and using her body as an art object, she undertakes an examination of self and identity, subjectivity and objectivity. Creating a series of inversions, she splits her image, splits the video screen, and splits her identification within the video space, playing with the spatial ambiguity of non-reversed images (video) and reversed images (mirrors). Though Jonas’ approach is formalist and reductive, her performance reveals an ironic theatricality. Illustrating the phenomenology of video as a mirror, Left Side Right Side is a classic of early performance-based, conceptual video. (Letterboxd)

已无法从地底采取化石燃料的世界，克鲁森大陆。人们为使万物移动所“选择”的动力能源，是寄宿在人们手中的“力量”。 从地底中所采取的“石英”，无论力量的强弱谁都可以对其下达命令，人们将这种力量称之为“魔力”。 这样的世界中“没有魔力”的稀有者莱卡特，在某一天，受到了昔日的朋友同时也是现任国王的荷之尔召见，向王都前去的莱卡特将在那里得知令人惊讶的事实…… 过去一同学习，并建立起坚毅的友情的莱卡特、杰斯、荷之尔、西宫4人，将被战乱的漩涡毫不留情的吞没。